Writer/Author Mixer and Books for Kids Drive!

Mark your calendars for the Salem Chapter Mixer and Books for Kids Drive scheduled for July 11! We’ll be meeting at the Beanery off Liberty Street at 4:00 PM until 9:00 PM. Come down and spend an evening meeting local authors and mingling with fellow writers.

Don’t forget to bring a new or gently used children’s book! We raised 124 books last year and are looking to beat that this year.

*If you’re a local author and would like to bring some of your books for sell or show, please contact Salem Chapter so that we can add you to our author list.

Wednesday, June 17, 2009

The Sound of Ink West Coast Poetry Performance and Open Mic

Presented with no cover charge by: The SpeakEasy CafeOpen Mic Poetry Radio Show (www.Blogtalkradio.com/speakeasycafe)

LIVE at The ROXXY--1230 State Street - Salem, Oregon

When: Sunday, June 21st
Time: Doors open at 3 p.m.
Meet and greet the performers
Show & Open Mic 4 to 9 p.m.
Open to ALL-AGES until 8 p.m.
*This is a free performance
Non-perishable food donations accepted
Performers: (Not in performance order)

Apollo - (MTV) Traveling Poet Tour
Soldier Blue - Georgia
The Hydropods
David Hill
John Edge
F.I. Goldhaber
Tal
Blacque Butterfly
Beyond
Come celebrate all voices in poetry on one exciting stage. Inspire and be inspired. Take the stage during the open mic performance. Networking is encouraged. A table will be set up to distribute your information or books, CDs, event posters, class details, etc.
For more information call Nyla Alisia 971-388-1296 or email thespeakeasycafe@gmail.com

"When we step out of our comfort zones as writers, we spread our poetic wings and grow!"

Wednesday, May 27, 2009

Call for Submissions: The Choosing America Project

The Choosing America Project is looking for true short stories (1,500-4,000 words) that express the very essence of being an immigrant in America.We are interested in is eliciting gripping human interest stories that will reflect the diversity of the American immigrant experience, past and present.

Our concept is to disseminate this information to as many immigrants as possible in search of the best material. Please help us convey this information to writers, editors, students, professors, educators, seniors, colleagues and friends, community leaders and organizers as well as to community groups and organizations and to anyone who you believe can contribute to this project.

For more details please go to http://www.choosingamerica.com/

Ferocious Promotion for Timid Authors by C. Hope Clark and Gwynne Spencer

How would you like to have hundreds of easy, low cost or NO COST ideas for helping your book find readers in your community and in the world at large?

Most authors love to write but are at a loss when it comes to promoting the books they have written—we were all taught to be humble, right?

This new e-book isn't like anything else you're likely to find. It doesn't tell you how to spend thousands and thousands of dollars promoting your book. It's not going to tell you to try to get on Oprah or Jerry Springer either. It's full of honest, low-profile ways to tastefully promote and sell your book the same way you wrote it—from the heart.

For a free sample chapter, go to www.fundsforwriters.com/ferociouschapter.htm

To order your copy today, go to http://www.fundsforwriters.com/ferocious.htm
It's only $7.95. Paypal, Visa/MC, money orders and checks accepted.

For more information, feel free to contact the authors:
C. Hope Clark: hope@fundsforwriters.com
Gwynne Spencer: gwynnespencer@aol.com

Tuesday, May 19, 2009

Easy Editing Workshops

Why pay a professional editor when you can edit yourself?

Easy Editing Workshops will teach you the fundamentals of editing so that you can polish your manuscript for publication without wasting hundreds or even thousands of dollars on a professional editor.

After taking an Easy Editing Workshop, you’ll walk away with the confidence and skills to tackle your work with the critical eye of an editor.

Easy Editing Workshops will be offered at beginner, intermediate, and advanced levels to meet all skill sets.

Registration is open for Beginner Easy Editing!

Date: Wednesday, June 24
Time: 5:30 PM to 8:30 PM
Where: Tea Party Bookshop
Cost: $40

To reserve your space please contact either Heather Cuthbertson at HeatherJoyC@aol.com or Marilyn Ebbs at SmilingEeyore@aol.com with your name, address, and phone number. You can pay by check or cash at the time of the workshop or to register via PayPal (or pay with credit card) please visit www.HeatherCuthbertson.com or www.MSEbbs.com and click on EASY EDITING WORKSHOPS.

Don’t forget to be on the lookout for Intermediate Easy Editing on Wednesday, July 22 and Advanced Easy Editing on Wednesday, August 19.

Get past the slush pile and on the editor’s desk today!

Tuesday, May 12, 2009

April Meeting Notes: Sage Cohen

Poetry is available to everybody.

What does it mean to live and write the poetic life? A poetic life is a life of receptivity where we observe, feel, and consider our lives and our world, treating things as “we are” and not as “they are.”

How can we be more receptive?

1) Welcome accidents and mistakes
2) Free-write
3) Write to different styles of music
4) Invite topics (don’t judge or dismiss what comes as a topic)

Pay attention! All we need is to be a little curious. “Being” is the space where poetry happens. Tune in to your being and start writing. Don’t try to force it—write what resonates with you.

Poetry lives on the edge where comfort and discomfort meet. Pain (such as with bad relationships, etc) is a natural starting place because it demands our attention. If you feel discomfort, let poetry give you an outlet to your discomfort (impatience/anger) and find out what is underneath. Or discover something new in what is familiar in your life and circumstances—it’s not “where” we are, it’s “who” we are in any given moment.

Sage Cohen is author of Writing the Life Poetic: An Invitation to Read and Write Poetry, forthcoming from Writer’s Digest Books, and the poetry collection Like the Heart, the World, Queen of Wands Press. Her poems appear in journals and anthologies including Poetry Flash, Oregon Literary Review, blueoregon.com and San Francisco Reader. In 2006, she won first prize in the Ghost Road Press poetry contest.

Sage has served as managing editor and monthly columnist for Writers on the Rise since 2006. She teaches Poetry for the People, an online poetry class, and has taught at the Willamette Writers and Pacific Northwest Writers Association conferences. This year, Maria Schneider, Editor of Writer’s Digest, decreed Sage the official Poet Laureate of The Writer’s Perspective blogroll. Sage holds a MA in creative writing from New York University where she was awarded a New York Times Foundation fellowship. Visit her at http://www.sagesaidso.com/.

Thursday, April 30, 2009

March Meeting Notes: Laura Whitcomb

Writer' shortcuts to finishing your novel faster:

1) Getting to the deeper emotion
2) Borrowing tricks from other authors
3) Shortcut to the scene

In order to get to the deeper emotion you should make a soundtrack for each novel you write. You need to ask yourself what kind of music to choose, based on what music illustrates the emotion in the novel. If you like movies, make a note every time a song in a movie touches you or reminds you of a novel you’re writing, so that you can add it to your soundtrack.

You should always start your soundtrack with a song that reminds you the most of your novel. Make sure that none of your tracks are cut with abrupt changes (so that it flows more easily and doesn’t distract you). You also want to make sure the last song on the soundtrack ends gently, so that you can listen to it over and over without being jarred from your concentration.

Borrowing tricks from other authors is an easy way to finish your novel quickly. When you’re trying to do something tricky that you haven’t done before, refer back to a novel you’ve read that addressed the issue you’re dealing with. Then think about how they managed to achieve their goal and weave it into your story in your own way.

In order to shortcut to the scene, you need to map it out in advance, create a dialogue outline and do a heart storm, which is a brainstorm from the heart. Typing them all up on one page.

Mapping out your scene in advance helps so that you can get to the 3rd or 5th draft quality the first time through. You should write down what needs to happen in the scene, but not in great detail. Put down the essentials, leaving room to be creative. One paragraph should be fine and it works best if you type it.

Your dialogue outline helps sketch out your best guess at what is going to be said in the scene. You don’t have to have a name designated for the characters at this point, just a rough idea of what you want to be said in the scene.

For your heart storm you need to think of all the emotions of the scene, and any strange ideas that come to you. Just let it flow freely, it doesn’t have to make much sense at this point.

Once you put them all together on one page, you need to print and then put it next to your keyboard while you work on your novel. Take what you want from each area—mixing and matching things.

Exercise for home…
Write a page as fast as you can. Instead of thinking of a scene for your novel, just think about a moment with emotion and write about it. Choose something that has a lot of emotion in it (ex: fear, anger, love). Take ten things you like from the page and turn them into a poem.

Laura Whitcomb’s first novel A Certain Slant of Light (Houghton Mifflin, 2005), was a Barnes & Noble “Discover Great New Writers” selection, a Book Sense Pick, an ALA Best Books for Young Adults selection. It was published as an audio book by Random House, is being published in six foreign languages, and was a finalist is six state teen book contests. Her writing book, Your First Novel, co-authored by literary agent Ann Rittenberg, was a Writers Digest Books featured selection for November 2006. Her new novel for Houghton Mifflin Harcourt, The Fetch, was just released. http://www.laurawhitcomb.com/

Wednesday, April 29, 2009

February Meeting Notes: F.I. Goldhaber

Developing a Marketing Plan for a Novel

There are three equal parts to getting your book published:

(1) You write the novel.

(2) You work on getting your novel in the hands of a publisher.

(3) Then you work on getting your novel in the hands of the reader. To do this, you need a marketing plan.

Why a marketing plan?

70% of books don’t make a profit. If you want to increase your chances of success (having readers, selling books, etc), then you’ll need to develop a concrete marketing plan for your novel. There are two ways you can look at marketing: Either you can spend time (do it yourself) or money (hire someone else to do it).

Creating a Marketing Plan:

1) Finding Your Market:

Who will read your book and where do you find those people? Books appeal to different people so it’s important to find your target audience.

2) Make a Budget:

Before making grandiose marketing plans, make sure you have the money to afford it.

3) Word of Mouth:

The number one factor in books with sales is “word of mouth” endorsement.

If you have a publicist, ask this person how to help her efforts. If not, let the publisher know what you’re willing to do to help market your book. Make sure your publisher has all the information that they need.

Booksellers are incredibly important in “word of mouth” marketing and you want to cultivate relationships with them. Go to bookstores, check out “staff picks” of book, and figure out which staff member might like your book.

4) Book signings:

Book signings can be very depressing since it’s possible that nobody could show up (if this happens work on developing a relationship with the booksellers while you are there). If you want to draw more people to the event don’t just read and sell books… do something interesting. Come up with a gimmick to get people to follow you. If you don’t have time to set up an event, call a bookseller to help them sell stock.

Keep in mind, publishers don’t usually do book tours unless you are a best selling author. However if you successfully do a local tour, the publisher may be willing to have you go to a few other cities. Concentrate on creating success regionally. If you do, publishers would be more likely to give you dollars for a larger campaign.

5) Think Outside the Bookstore:

Think of places people would be that would be interested in the subjects of your books, such as museums, yachting, ships, and gardening groups.

Also, look for places that are on the lookout for speakers regularly. Book clubs are good because everyone in the book club will be reading your books and asking questions about it.

Don’t forget civic organizations, church groups—just about any group you belong to. These places will let you promote your book because they are not going to pay you to speak. Take advantage of anyone who will listen and provide you with a forum, take advantage of that.

When you give a presentation, don’t just read from your novel or tell what your novel is about—let the audience get to know you.

6) Guerilla Marketing:

Take advantage of friends and family. Never underestimate a mother with lots of friends. Have friends face your book out when they go to bookstores, and ask them for reviews. Encourage family and friends to buy autographed copies for Christmas, events, and holidays.

Non-local friends can talk up your book to others and help you promote your books when you can’t be there. Don’t’ forget to ask your friends to forward your email announcements to everyone on their email list.

7) Media:

You want to get in front of the media every which way you can. You want your newspaper to report when your book comes out. Go everywhere you have the opportunity.

Don’t forget newspapers where you have other ties—your hometown and where you parents live—and professional newsletters.

Newsletters will often publish little snippets like your alumni newsletter and church newsletter.

Take advantage of your local radio and TV stations. The smaller the market the most likely you’ll get on, the bigger the harder to get on.

A trick to newspaper media is to get the name of the editor that will be making the decision to cover the story. Find out how they prefer communication (snail mail, email, etc).

8) Press Kit:

You want both an electronic and paper copy of your press release.

In your cover letter, explain your connection to the newspaper, newsletter, and TV or radio station. Offer the copy of the book to review, but know that they would most likely turn it down.

In your press release, provide clippings (there’s no better way to get another newspaper to cover you than if you’ve already been covered), reviews/blurbs, and awards (your rewards may not necessarily be connected to your book.) If you provide a professional photo—pay for a good professional photo. You can also have a suggested interview list of questions or facts. You might also want a sidebar from your book in the release.

Most importantly, you want to show that you can make a good guest and are interesting.

9) Online Promotions:

You must have a website. If you can’t come up with an html code yourself, hire someone else to do it for you. If you use a website builder service, make sure to invest in your own domain rather than a free website. Use medatags for websites, if you don’t know what that is—find out.

Set up a database of all the people you know, and send them emails. Send regular emails to the people on your mailing list, but not too much that they want to unsubscribe.

Get on newsgroups and list serves (you can find these on yahoo or google). You should also participate in blogs.

Look into buying promotional things you can give out at meetings, such as bookmarks. Business cards should have information, blurb, and pitch on the back. You don’t want to have your address on the business card, only your name, website and email.

If you use snail-mail, put your url on the envelope so people handling it can see it as well.

10) Networking:

There are two types of networking—online and in person.

For online networking use Facebook, Myspace, Twitter and make sure to blog on whatever you use most. (You can copy and paste the same blog in both places), but make sure to be careful about what you post or blog about.

For example, find a discussion group on yahoo/facebook and make sure it’s relevant to your story. You want to make sure it’s a big group with active members. Join the group and introduce yourself if that’s appropriate to the group. Read posts and find something that you have expertise about and respond to the post. People will become familiar with you and rely on your information and help.

For in person networking there are three steps to making networking easier: Listen, ask questions, and look for opportunities to share information or connect them to someone who can help them.

Authors often fall in to the category of being “shy.” You have to introduce yourself to strangers and make new friends. Take advantage of lucky opportunities, whatever that may be.

F.I. Goldhaber has more than twenty-five years of writing and marketing experience. She spent six years as a newspaper reporter and editor and seventeen years working as a writer, editor, and marketing communications consultant for business, government, and not-for-profit entities. During her marketing career, F.I. developed and implemented budgets that ranged from minuscule to millions of dollars. She often worked with entrepreneurial clients, helping them market their products and services on a shoestring.

A graduate of the University of Washington, F.I. has written fiction and poetry full time for the last seven years. She has sold short stories and novelettes to magazines and anthologies in the U.K. and U.S., had two novels and a poetry book published by small presses in the last year, received several awards for her short fiction and poetry, and judged the Pacific Northwest Writers Association and Eppie Literary contests.

http://www.goldhaber.net/